Contents:
Shuve points to Victorinus of Poetovio as a possible source for these similarities Most importantly, Gregory depicts the church as a vulnerable woman and raises the issue of her integritas. Thus, his exegesis occupies a key position between the ecclesiological themes of the authors from Africa and Spain, and the issues of gender, virginity, and asceticsm raised by Ambrose and Jerome.
Here, the influence of Origen is undeniable in the double application of the Song of Songs to the collective and the individual, i. Jerome is the focus of the sixth and final chapter. It may be difficult for us, modern-day readers, to imagine anyone not understanding the Song of Songs primarily as a poem on human love, with clear erotic undertones at that. Exactly how this interpretative tradition came to be in we must assume second-century Latin Christianity, remains one of the unanswered questions of scholarship on the Song of Songs.
Shuve suggests the answer may lie in the liturgical function of the text in the early church p. Verses from the Song of Songs are often quoted in conjunction with verses from, for instance, the corpus Paulinum.
Both Eph and Ps 44 repeatedly appear in correlation with certain verses from the Song of Songs. It is clear that, when cited together, these texts are meant to be mutually enlightening. While the volume has otherwise been excellently edited, there are a number of unfortunate typos in Latin quotations, some of which look suspiciously like autocorrect mistakes e. In short, Shuve has succeeded in drawing the early Latin interpreters of the Song of Songs out from under the shadow of Origen, in a well-organized and pleasantly written volume that deserves a wide readership.
The Homilies were translated into Latin by Jerome, the Commentary only partially and not very accurately by Rufinus of Aquileia. Of the original Greek, only fragments have survived in catenaric manuscripts.
Preview this item Preview this item. Series: Oxford early Christian studies.
Show all links. Allow this favorite library to be seen by others Keep this favorite library private.
Find a copy in the library Finding libraries that hold this item Dr Shuve offers a comprehensive analysis of the interpretation of the Song of Songs in the Latin-speaking churches of Late Antiquity, showing how it was used by bishops and theologians to illuminate complex problems of identity in relation to liturgical practice, doctrinal definitions, and ideas about the body and sexuality.
Read more Reviews Editorial reviews. Publisher Synopsis Most accounts of the history of exegesis of the Song of Songs in Western Christianity focus on the commentary tradition, assume that the book's erotic character was a problem to be overcome by imaginative allegorical reading, highlight the theme of the soul's mystical ascent to the divine, and acknowledge the great third-century Alexandrian theologian Origen as the dominant influence on the development of both patristic and medieval interpretations of the Song.
User-contributed reviews Add a review and share your thoughts with other readers. Be the first. Add a review and share your thoughts with other readers.
Similar Items Related Subjects: 18 Bible. Church history -- Primitive and early church, ca. Church history -- Primitive and early church. Linked Data More info about Linked Data. All rights reserved.
On a number of occasions, it seemed this work could have been accurately titled Song 4. Next Article. Show all links. Keywords: Song of Songs , biblical interpretation , ecclesiology , asceticism , virginity , ritual purity , baptism , Ambrose , Jerome, Augustine. De Virginitate , and the church. Following an introduction that reviews the major contributions to the history of Song interpretation since the s and summarizes his argument, Shuve devotes the first part of the book to North Africa and Spain, with one chapter on Cyprian and the Donatists; another chapter on Pacian, Tyconius, and Augustine; and a final chapter on the fourth-century Spanish bishop Gregory of Elvira.
Remember me on this computer. Cancel Forgot your password? Karl Shuve.
Oxford early Christian studies. Karl Shuve offers a comprehensive analysis of the interpretation of the 'Song of Songs' in the Latin-speaking churches of late antiquity, showing how it was used by bishops and theologians to illuminate complex problems of identity in relation to liturgical practice, doctrinal definitions, and ideas about the body and sexuality.
View all subjects. Similar Items. Karl Shuve Find more information about: Karl Shuve. Revision of the author's thesis Ph. Persecution and the Rebaptism Crisis 1. The Problem of Rebaptism and the Song of Songs1. The Legacy of Cyprian; 1. The Origins of the Donatist Schism; 1. Optatus' Against Parmenian the Donatist; 1. Hayes shows how studying these festivals--attended Politics and music are intertwined in this study of different musical forms in Latin America from the twentieth century to the present as scholars from diverse disciplines analyze various musical genres contextualized by Songs from the Edge of Japan What is it that makes the ideal English village?
Firle in East Sussex is both unique and universal. First of all there is a pub and in no particular order come a school, a shop, a cricket pitch, a church, a stream, a Gurney, and a host of other major creative voices of the theater discuss the art of playwriting, from inspiration to production, in a volume that marks the tenth Songs of Social Protest is a A new kind of songbook emerged in the later fifteenth century: personalized, portable, and lavishly decorated.
Five closely related chansonniers, copied in the Loire Valley region of central France c. Alessandra Giorgi considers the semantic and syntactic nature of indexicals - linguistic expressions, as in I, you, this, that, yesterday, tomorrow, whose reference shifts from utterance to utterance. Carefully argued This volume addresses foundational issues concerning the nature of first-personal, or de se, thought and how such thoughts are communicated. Many have held that first-person thought motivates a revision of traditional About to Die focuses on one Holy Treasure and Sacred Song situates this oft-neglected yet Modern biblical scholarship interprets the Song as a collection of love In dramatic contrast, the Song presents a paradisal picture: 'For Alessandra Giorgi develops an important and original perspective on the relation between a sentence and its extra-sententialcontext, namely that the speaker's temporal location is specified in the syntactic structure.
Marek Korczynski reports on his ethnographic fieldwork in a British factory to show how workers make often-grueling assembly-line work tolerable by permeating their workday with pop music on the Modernizing Composition overcomes Motherway thus examines Anglo-Irish song and songs of the Irish Diaspora Exploring the phenomena of song and performance, this book presents It's about the transformation that takes place Drawing from fieldwork conducted These manuscripts have been The book considers the Nenets' song tradition within its historical, cultural The study concludes that Through this lyrical reading of The desire to rescue folk song from an aging population led The songs sung, those remembered, the singers
In this work, Karl Shuve provides a new account of how the Song of Songs became one of the most popular biblical texts in medieval Western Christianity. This study provides a new account of how the Song of Songs became one of the most popular biblical texts in medieval Western Christianity, through a close.