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Sign in. Get my own profile Cited by All Since Citations h-index 10 10 iindex 10 Giorgia Aiello University of Leeds Verified email at leeds. Heather Savigny de Montfort University Verified email at dmu.
Articles Cited by Co-authors. Journal for cultural research 15 3 , , International Journal of Community Music 7 2 , , Journal of Communication Inquiry 40 4 , , Can I Play With Madness?
Metal, Dissonance, Madness and Alienation pp. Inter-Disciplinary Press. Following an empirical qualitative study which incorporated semi-structured depth interviews and participant observation it was found that heavy metal fans in Ireland use heavy metal music in a similar fashion. Initial data suggests that the heavy metal fans are drawn to the excitement of the music because of their anger towards the repetitiveness and routinisation of popular music and their own everyday lives and social relationships.
The music provides a cathartic release for the fans.
This is subject to external controls such as the pace of the music, security, and internal controls with the unwritten code of behaviour facilitating the survival of the mosh pit. This research is unique in that no previous study has examined the consumption of heavy metal music from a figurational perspective and it opens up a new framework for examining music subcultures.
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In this chapter, I will use both the terms glam metal and hair metal interchangeably, as hair metal refers to the coiffures of the musicians and is as entrenched in imagery as the word glam is, thereby serving the same denotative purpose. When we correlate the musical preferences with what these adolescents think and feel about life and death, results show that those who have preference for reggae, emotional-rock and feminine pop, life is understood as personal fulfilment. Recent research on the success of stereotype suppression is ambiguous. Impression formation or prediction? The impact of knowledge about violent digital games on the activation of aggression-related concepts. However, Michaels spoken words right before the outburst starting at are Oh come on honey, I wasnt that badOh well! Bruce Dickinson tells that he, his bandmates and their tour manager were driving in a Ford Thunderbird through Florida in , when they passed a gas station with three suits of armour standing outside.