Sculpture and its Reproductions
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Bronze sculpture captured by the Santa Barbara Giclee. Specializing in fine art reproduction. We have provided numerous local artists with archival quality art reproductions on a variety of substrates including canvas, water color paper and cloth.
Sculpture Reproductions – Frederic Remington Art Museum
Kerne Ericsson—Santa Barbara Giclee. Oil on canvas captured by the product photography studio.
This collection of essays is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore their theoretical and practical. Sculpture and Its Reproductions Edited by Anthony Hughes - Free ebook download as PDF File .pdf), Text File .txt) or read book online for free.
Giclee Santa Barbara. Hank Pitcher—Fine Art Reproduction. Susan Bahary—Sculpture photography.
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Acrylic sculpture captured by the product photography studio. Stuart Carey. Judy Duchesne-Peckham, Photographer. Wonderful form and proportion. The bird sculpture retains the original blue accents. It is signed on the lower portion, as shown in the close-up photo. Midth c authorized museum sculptural replicas. No real condition issues to report. The sculpture itself has a few lighter spots on its surface which are barely noticeable from any appreciable distance.
- Staff View for: Sculpture and its reproductions.
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The abstract form of the mother and child doesn't suffer from any unsightly dings, deep abrasions, fractures, flea-bites, repairs or unsightly stains. Heavy cast piece. Original label. Also, be sure you want the item beforehand. Too many people change their mind and ask for cancellations. A few chips of paint missing as shown. Super cool and rate piece.
Measurements are in the photos. Show nice age and style still, on its original oil-rubbed bronze finish paint and no ding or peeling. What you see is the exact item you will be receiving. It is sold as is and the sale is final. Note: right colors appears in photos no.
Graphic Reproductions
The Cheyenne is Remington in full mastery of his art. Regarded by Frederic Remington as one of his most challenging sculptures to create, The Cheyenne reflects Remington's desire to depict a horse in natural flight. The nymph woman is in a moving pose as she is about to shoot an arrow. She is mounted on a stone with one leg in the air as she is in her position. As if I purposely left out the information.
Understand this! See the photos in a big full screen. Mark: see pix on Base Alva Original Reproduction. Note: Top of Head is Open. Each is signed on underside.
I4 Taken together, Nanni's inscription, Strozzi's madrigal and the diarist's outburst provide fascinating indicators of intention and response in connection with recycled sculptural imagery in mid-sixteenth-century Italy, but before examining their implications, we should take care once again to distinguish this type of image from the current notion of reproduction. Malcom Baker admirably outlines the importance of Kleinplastik and the way in which a sculptural motif could be comfortably and almost seamlessly transmitted from the exclusivity of the collector's cabinet to, say, Josiah Wedgwood's factory. A Roman artist reproducing a Greek work was operating within a living tradition, not revivifying a dead monument. The great gods of the gymnasium were Hermes and Herakles, at least from the fourth century BC on, and to depict them in a style associated with well-known images of Greek athletes was singularly apt. An almost identical formula is to be found in another engraving by Giovanni Battista de' Cavalieri, which was issued in February as a memorial to Michelangelo shortly after his death. Interestingly enough, their status remained unrivalled, and that could explain the reason why in , 83 out of works of art handed over to the French, on the terms of the treaty of Tolentino, were antique statues. The originals would have been too little known to be recognized and copyists would have been free to give them the identities that suited their needs.
Measures Condition: sesame seed size chip to glaze surface only on tail of one bird, clean break and subsequent repair to the tail of the other noticeable under scrutiny. The statue features a man balancing a bear cub.
It is in excellent vintage condition with minimal wear. The original sculpture resides in the Freer Gallery in the Smithsonian Institution. The item you get is the item in the photos. Austin sculptures are reproductions of sculpture works manufactured by Austin Productions.
Black Background. He founded the studio in Long Island City and employed artists and designers to design and craft reproductions of ancient sculpture and jewelry. Scuffs to finish, small chip on corner of base. Has the look of molded clay but is a heavy sandstone type material. See last 2 photos to view. Not visible at eye level. Sponsored Listings. Got one to sell? Make an Offer. Schillaci Austin Prod. Austin Prod.
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