Inscriptions from the Athenian Agora (Agora Picture Book #10)
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Contents:
Corbett and V.
Talcott, Hesperia, Suppl. X, , p. Beazley, Proc.
Adrianou 24 , Athens 55, Greece. For Eleusis, Clinton , , ; Mylonas I also want to apologise to Adam. And we should assume similar continuity in religious beliefs and attitudes unless there is clear evidence to the contrary. Stylianos Katakis of the University of Athens communi- cated their knowledge of the statuary and portraits; Prof. Mikalson that Lycourgos makes.
Note also the following: Corinthian plastic vase, satyr with earrings, Athens, N. Jenkins, J. Hamilton Smith , late sixth century, J. The tradition of satyrs dressed as women thus lasts from the early sixth century into the Hellenistic Age cf. Brommer, loc. Libertini, p. Later: smooth, South Italian bell krater, early 4th century, Sydney Sometimes the artist is thinking of the mythical Papposilenos, sometimes of the stage Papposi- lenos, as he shows by the wide-open mouth of the mask, e.
Inscriptions Athenian Agora
He may then be thinking of a particular play such as the Dionysiskos of Sophocles,15 but in the marble group the child Dionysos holds the mask of himself as a young man and the sculptor must have thought of a satyr play in which the god appeared as a youth. It will be convenient to add here the early Hellenistic satyrs from the Agora. The earliest is the Papposilenos head A 10 recently published by Mrs. Thompson and dated by her to B. It seems to me to connect in style with another head from the Agora, which in its turn has been connected by Mrs. Thompson with a Papposilenos head not dramatic and some comic masks to be discussed later.
There is no doubt that this head is a Papposilenos; bestial ear and flowing beard show that, but the mouth is trumpet-shaped like a comic slave's and the artist has apparently adapted a slave head to Papposilenos.
The Stoa of Attalos II in Athens
I think that the large mask with flowing beard on a Megarian bowl A 11 from the Pnyx is also Papposilenos, but the tell-tale ear is not clear. However, the mask on another Megarian bowl A 12 must be a satyr because of its ear, although it looks like a wreathed, trumpet-mouthed comic slave. A terracotta A 13 from the Agora of the fourth to third century gives the body of a seated Papposilenos.
Red-figure bell krater, New York Goldman and F. Jones, Hesperia, XI, , p. V-i-i; ii Leningrad, B. Robinson, Olynthus, XIV, no. Brommer, Satyrspiele, p. The remaining five terracottas are tragic. I have discussed elsewhere '" the question of when the onkos, the tower of hair over the forehead which made certain tragic masks look both solemn and archaic, was introduced and have suggested that " this change was due to the statesman Lykourgos in the sense that when the Theater was rebuilt in stone between and and adorned with the statues of Aeschylus, Sophocles and Euripides, the new masks were also introducted to match the stately new setting," and this archaic solemnity chimes in with the beginning of historical scholarship by Aristotle.
My evidence for the latest pre-onkos masks was an Attic relief dated by style alone and a Roman copy of a Greek painting of about B. A red-figure fragment from the Agora A la , probably of the second quarter of the fourth century, has a man holding a white-faced long-haired mask not essentially different from the mask of the heroine on the Pronomos vase but considerably later. The posture of the actor may have been much the same as the man on the Attic relief in Copenhagen to which I have just referred; the actor on the vase, however, holds the mask with his thumb through the attaching b Post on Sep 11 views.
Category: Documents 0 download. It is therefore highly probable that B belongs under or just to the left of C and that the figure represented was a man wearing a short chiton with one foot already in a laced boot and the other raised because he was 1 The writing of this article has been made possible by an award of membership in the Institute for Advanced Study, Princeton, N.
This, I think, explains why Papposilenos appears on a fourth century 8 I have omitted from the catalogue, because they are not dramatic, three interesting objects: 1 wine amphora fragment, Agora SS , from Mende, last quarter of fifth century, profile satyr mask not necessarily dramatic , P.
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