Seven Sketches, Op. 9

Early Advanced Classics to Moderns
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It also included Bartok's Seven Sketches Op. A former prodigy who was sent by Turkey, her native land, to study at the Paris Conservatory, Miss Biret was awarded first prizes in piano, chamber music and accompaniment by the institution when she was only 15 years old. This means that she had been subjected to very rigorous musical disciplines at a tender age in order to gain the prizes. That happened in the mid's, but listening to Miss Biret's performances, one could not help wondering if so much exacting training so early in life might have numbed her somewhat to the delights and expressive satisfactions music should afford both the performer and the listener.

Admirable though her playing was in its fluency and in the achievements represented, it lacked the vibrancy of personal involvement. It was as though Miss Biret had drawn a veil between her innermost self and the act of musical execution.

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Being conscientious, she played the works correctly and exerted herself to build up big climaxes where indicated. Beyond that, however, she would not, or could not, go. Accompanied by stunning videography see video on YouTube. Four Sketches, Op.

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Enescu: Impressions d'enfance, op. Offertoire in A-flat 8. Twenty-four Divertimenti, op. Roumanian Folk Dances. Cecilia 6. Siete Estudios Seven Studies , Op. But one has the impression here that Bartok, although still bound to this conventionalapproach to the instrument, was more interested in a renewal of musical language, experimentingwith new sounds and new harmonic combinations.

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