Eothen: or Traces of Travel Brought Home from the East

Alexander William Kinglake
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Book Condition: Very good. Light rubbing, soiling and rolling of corners o boards. Ownership stamp to ffep. Light foxing to prelims. Published by London, Picador Travel Classics First edition thus. Fine in like dustjacket one tiny professionally closed tear , with sterling price intact. One of a small number 17 titles of travel classics published by Picador in the s, nicely bound, on good paper, with strikingly designed jackets by Jane Poulton.

Published by Ediciones Tayo. Muy buen estado.

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Seller Inventory FT Published by Albert Mason, Publ. From: edconroybooks Troy, NY, U. About this Item: Albert Mason, Publ.

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Frontispiece illustrator. Cloth just slightly nicked at 3 of 4 fore-edge corners, 1" x3" coffee? No ink names, bookplates, etc. First edition was published in Published by John Lehmann Published by Wiley and Putnam, New York Condition: Fair. First American edition. Lacks rear wrap; piece of front wrap present but loose; most of spine missing.

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Contents foxed, but readable. Fair copy as is or excellent candidate for rebinding. Published by Hachette Livre - Bnf, France Condition: New. Language: French. Brand new Book. Kinglake]; traduit de l'anglais sur la 5e edition [par G. Brunet]Date de l'edition originale: Ce livre est la reproduction fidele d'une oeuvre publiee avant et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.

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Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur. Seller Inventory AAV Published by Edinburgh: William Blackwood About this Item: Edinburgh: William Blackwood, New edition 'Cabinet edition. Half leather blue morocco over marbled boards, gilt decorations to spine in compartments, gilt title on red morocco labels.

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Marbled endpapers and page edges. Roston College gilt crest o front board: seems to be a prize binding thopugh no prize label is present. Includes preface to the first edition. No illustrations. Travels in the Middle East and Mediterranean. Very Good. Clean covers with bright gilt, light rubbing to edges wih scuffing to lower front corner.

Binding sound. Nice looking volume. Published by Lippincott About this Item: Lippincott , First ed. Lippincott, Philadelphia, PA Lippincott, Philadelphia, PA, Color plates tissue guards , by Frank Brangwyn. Pictorial orange cloth, good copy. Introduction by S.

19 Chapter Nineteen Eothen Alexander Kinglake mp3

From: Vagabond Books, A. Published by Adam, Stevenson, Toronto About this Item: Adam, Stevenson, Toronto, First Canadian edition. Title runs vertically up the spine; differences in lettering and ornament from another variant seen. Yellow endpapers. Spine sunned to tan, as would be expected with this colour; tiny light spots to front cover; foxing to text early and late; lacking front fly leaf; remains of small label to front pastedown; nice copy otherwise of this Victorian Middle Eastern travel classic.

Eothen Traces of Travel Brought Home from the East

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With an Introduction by Jan Morris. Series; Everyman's library ; New Edition. Alexander William Kinglake was an English travel writer and historian. New York, Wiley and Putnam, About this Item: Lippincott ,

View basket. Continue shopping. Title: eothen. Several times the narrator sets out to explore in detail incidents attracting his attention for the length of a chapter but then refuses to integrate them meaningfully at all. Seeking consistent patterns underlying his travel experience, he con- stantly uncovers new and unfamiliar codes and materials which require textualization yet resist being accommodated to his imaginary geography.

In the nineteenth century, British travellers held a certain form of cultural authority over the East. Their narratives must therefore be regarded as simulative, mimicking cultural encounters that closely follow western arrangements and techniques of representation.

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More than other Oriental travellers of his time, Kinglake was aware of the epistemological problems inherent in the production of travel literature. What set Kinglake apart from those who preceded him is that he did not bother to excise from his rendering of the Orient anything that might have ruffled Victorian sensibilities or countered the demand for unified experience. Addressing him- self to his close friend Eliot Warburton — , Kinglake writes in the preface to Eothen: The very feeling, however, which enabled me to write thus freely, prevented me from robing my thoughts in that grave and decorous style which I should have maintained if I had professed to lecture the public.

Whilst I feigned to myself that you, and you only, were listening, I could not by possibility speak very sol- emnly. Heaven forbid that I should talk to my own genial friend, as though he were a great and enlightened Community, or any other respectable Aggregate. Presenting his own work as a travel diary in disguise every reader is free to devour, he seeks to attract the casual Victorian consumer unaccustomed to such frankness, originality and vivacity of expression. But these notions can only be communicated when they are not experienced directly, as the above statement points out in all clarity.

Thus, whenever Kinglake happens to hit upon something he does not expect or is not prepared to cope with, he must needs resort to prefabricated images and biased concepts of the other in order to convey what is otherwise unsayable. Well, now I had come; there to the south was Tenedos, and here at my side was Imbros, all right and according to the map; but aloft over Imbros, aloft in a far-away heaven, was Sam- othrace, the watch-tower of Neptune! So Homer had appointed it, and so it was; the map was correct enough, but could not, like Homer, convey the whole truth.

Thus vain and false are mere human surmises and doubts which clash with Homeric wit! Moreover, they point to the impasse of a subject trapped between conflicting symbolic regimes, a situation that re-inscribes the drama of definition of self and other in varying and often uneven relations. How is he to make reliable observations when the given repertory of lexemes fails to accommodate the material vision of the East open- ing up in front of the traveller?