Operetta: A Theatrical History (Routledge Studies in Musical Genres)

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  • The Parallel Julieverse, Alongside Lehar’s The Merry Widow which was the
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    Top Authors

    Christopher S. Barnum was operating an entertainment complex in lower Manhattan. The results were shows that rank among the most Only rarely did any ofthese countries produce oper- successful US twentieth-century theatrical produc- ettas that enjoyed international circulation, but their tions. The examples they set in creating vital plays, often rich with social thought, provided the necessary encouragement for other gifted writers to create musical plays of their own". As an outcome of the economic, excising what did not.

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    Operetta: A Theatrical History and millions of other books are available for Amazon Kindle. Richard Traubner is a well-known history of operetta, thanks to this book, and his articles in the New York Times, Opera News, program notes, and notes for recordings. Richard Traubner's. Operetta: A Theatrical History Routledge Studies in Musical Genres: giuliettasprint.konfer.eu uk: Richard Traubner: Books.

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    Important Links. Michael with his idol, the late E. At Berkshire Theatre Co. Collectively, these experiences continue to inform my writing. How did operetta get such a bad reputation among Broadway aficionados?

    Italian opera terminology

    What Oklahoma! What particularly annoys me about judging old shows is when the naysayer overlooks the era in which they were written.

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    Historical context is so important in judging a vintage musical as well as tracing how musical comedy has changed through the years. On one hand you can say that material and writing formats have evolved, becoming more sophisticated. On the other hand, you can say musicals these days have devolved with an emphasis on vulgar language, technical effects, and lyrics that are sloppily formed and rhymed. You probably know the Pirates of Penzance production form Central Park.

    I saw that production when it began in the park. Are they new recordings or re-issues?

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    And were they recently written, or are they older shows that are being rediscovered? A longtime dream of mine has been to record Tales of Tinseltown composer: Paul Katz , a personal favorite. The show has developed considerably since the original production in The original off-off Broadway production was another of my all-sung, all-rhymed musicals. Many productions—with changes and new material—followed, capped by a hugely successful production in of course Hollywood. Finally, last summer, I was able to raise the money to record the show, speaking with several labels about releasing it.

    He not only offered to release Tales of Tinseltown but to reissue Charlotte Sweet in a 2-CD edition previously there was a shortened version available on CD, based on the 2-LP set of the original production, released in In addition, John has offered a free bonus to those ordering Charlotte Sweet at www. Archive Michael Colby. Who are these singers, how did you find them, and how did you get Larry Hochman to join you team?

    Thanks so much for those kinds words. Photo: Joe Clarke. He has been an incredible friend to me and worked on the album as a labor of love. Tinsel Town is a concept album. Is it a matter of finance or of ideals? Roger Neill and Julien Nitzberg managed to get the great operetta The Beastly Bombing recorded in LA with a similar outstanding character-cast as you, with hardly any budget.