Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952
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Contents:
Using materials from little known publications and archives, Lucifer Ascending details the true social function of individuals' dabbling with the occult. In his survey of what Ellis terms "vernacular occultism," the author is poised on a middle ground between a skeptical point of view that defines belief in witchcraft and Satan as irrational and an interpretation of witchcraft as an underground religion opposing Christianity.
Lucifer Ascending examines the occult not as an alternative to religion but rather as a means for ordinary people to participate directly in the mythic realm. Added to basket. Timing for Animation. John Halas. Masters of FX. Ian Failes. The Camera Assistant's Manual. David E. The Visual Story. Bruce A. Freeze Frame. Doug Allan. Matt Zoller Seitz. Setting Up Your Shots. Jeremy Vineyard. Sound Design.
London Campbell, F. A Wave of Stereo. Cinemas Novelty Period. Don't have an account? Every section contains fascinating nuggets that underline the genius and perseverance of inventors from Europe, the UK as well as the US, traits that provided a continuous impetus for 3-D exploration.
David Sonnenschein. The Adventure Game. Keith Partridge.
Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952
In the Blink of An Eye. Walter Murch. Andy Glynn. Five C's of Cinematography. Joseph V. Gustavo Mercado. Film Directing Cinematic Motion. Steven D. Cinematography for Directors. Even so, creation of stereoscopic cinema is an open, active research area, and there are many challenges from acquisition to post-production to automatic adaptation for different-sized display.
This chapter describes the current state-of-the-art in stereoscopic cinema, and directions of future work. Unable to display preview. Download preview PDF. Skip to main content. Advertisement Hide.
Chapter First Online: 30 May This process is experimental and the keywords may be updated as the learning algorithm improves. This is a preview of subscription content, log in to check access. Abraham, S. Remote Sens.
Akeley, K. ACM Trans. Allison, R. In: Proc.
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Imaging Sci. Vision Res.
Barreto, J. ICCV Bertalmio, M. Blake, A. Nature , — Bleyer, M. IEEE Conf. Bordwell, D. Campbell, F. Chabert, C. Cheng, C. Yokohama, Japan Criminisi, A. Debevec, P. Emoto, M. Fitzgibbon, A. Forsyth, D. Fusiello, A. Gorley, P. In: Woods, A. SPIE Gosser, H. Hartley, R.
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In: ACM Trans. Hoffman, D. Hummel, R.
Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952
American Cinematographer Manual, pp. Jones, G. US Patent Kakimoto, M. Forum 26 3 , — Kilner, J. London, UK Kooi, F. Displays 25 2—3 , 99— Kozachik, P. American Cinematographer 90 2 , 26 Google Scholar.