Contents:
Gradulius Arr. The Fragmented Fantaisias. Liturgical Works at Mandolin. Mozart Sonatas at Mandolin Vol. Recommended Songs.
Stabat Mater, No. Fac ut portem Christi mortem - Kindle edition by Giovanni Battista Pergolesi. Download it once and read it on your Kindle device, PC. Check out Stabat mater: No. 10, Fac, ut portem Christi mortem by Hartmut Haenchen, Carl Philipp Emanuel Bach Chamber Orchestra, Raphael Alpermann .
Frederic Chopin. Nocturne Op. The Harmonium Orchestra.
Satie: Gymnopedie. Michael Silverman and Johann Sebastian Bach.
Love Dream No 3. Franz Liszt.
Peer Gynt Suite, Op. Orchestre Philarmonique De Monte Carlo. Lawrence Foster. Chopin: Nocturne No. Cristina Ortiz.
Nocturne No. Elisabeth Leonskaja. Erik Satie.
Pergolesis Ruhm ist zum erheblichen Teil seiner einaktigen Oper La serva padrona zu verdanken. Stabat Mater version for mixed choir and strings. Sancta Mater. Virgo virginum praeclara. About eClassical.
Vitalij Margulis. Mozart: Rondo Alla Turca. Beethoven: Fur Elise.
Khachaturian : Spartacus, Suite No. The site is also available in several languages.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. La serva padrona was produced as far away as Hamburg and Dresden, and on its second run in Paris in was the cause of the celebrated Querelle des Bouffons, the pamphlet war between the supporters of traditional French opera and the progressive fans of Italian opera buffa. First published in London in , it became the most frequently printed single work in the eighteenth century. Whatever the exact dating, it seems clear that Pergolesi was not expecting to recover from his illness probably tuberculosis , for he had given his possessions to his aunt.
Other writers have drawn parallels from these sad circumstances with those of Mozart and his Requiem; certainly Pergolesi, like Mozart, was buried in the common pit.
Other pro-Italian French writers also helped to create the legend of the Stabat mater. But for the most part Pergolesi maintains a mood of supplication, with melodies of great tenderness. Large amounts of music contained in the modern Opera omnia of Pergolesi printed in Rome in — have since been proved to be by other composers.
Indeed, of the works in this edition, 69 are misattributions, 49 are questionable, and only 30 may be considered genuine!